The Spectrum 21 judging event is this Saturday! Five jury members will convene in San Jose, California to cast their votes to decide which call for entries submissions are included in Spectrum 21: The Best in Contemporary Fantastic Art. Good luck to everyone who participated!
Meet our fifth jury member: J. Anthony Kosar.
Award-winning artist and FACE OFF Season 4 Champion J. Anthony Kosar specializes in Fine Art, Illustration, Sculpture, and Special Effects through his company Kosart Effects Studios, LLC. In 2007, he interned at legendary Stan Winston Studio creating effects for INDIANA JONES 4 and James Cameron’s AVATAR. Kosar designs and sculpts Halloween masks, creates special effects for theater, film, and commercials, and teaches the Art of FX through his studio in Westmont, IL. Besides FX, Kosar designs and sculpts prototypes for toys, collectibles and medical anatomical models, illustrates for novels and comic books, curates art gallery exhibitions, and creates his own fine art paintings and sculptures. His paintings have appeared in Watercolor Artist Magazine and SPLASH: Best of Watercolor, and his sculptures have appeared in SPECTRUM: The Best in Contemporary Fantastic Art. (Artwork photo by Bear McGivney.)
The Spectrum 21 judging event is this Saturday! Five jury members will convene in San Jose, California to cast their votes to decide which call for entries submissions are included in Spectrum 21: The Best in Contemporary Fantastic Art. Good luck to everyone who participated!
Meet our fourth jury member: Allen Williams.
In his own words: I’ve always loved drawing for as long as I can remember. I have pictures of monsters that I did at the age of three and I feel most at home with a pencil in my hand. I also work in acrylics, oils and occasionally digital… but everything always starts with drawing. I went to college for a few years but left when I started doing more illustration than actual homework assignments. I became a professional freelance artist in 1988 and have worked on many publications, games and projects since then. Beginning with TSR, Dragon magazine and later progressing into ccg’s such as Magic The Gathering and Rage. Most recently I have worked for Paramount(Aronosky’s Noah), Lionsgate and Legendary(Pacific Rim).
The Spectrum 21 judging event is this Saturday! Five jury members will convene in San Jose, California to cast their votes to decide which call for entries submissions are included in Spectrum 21: The Best in Contemporary Fantastic Art. Good luck to everyone who participated!
Meet our third jury member: George Pratt.
George Pratt is an award-winning painter, writer and photographer. His work is in numerous private collections world-wide. Among the many awards he has received he is also a recipient of the Eisner Award for his graphic novels, a Spectrum Gold Medal and Best Feature Documentary at the New York International Independent Film Festival for the documentary film “See You In Hell, Blind Boy.” He teaches full-time at the Ringling College of Art and Design, and summers with the Illustration Academy in Kansas City.
The Spectrum 21 judging event is this Saturday! Five jury members will convene in San Jose, California to cast their votes to decide which call for entries submissions are included in Spectrum 21: The Best in Contemporary Fantastic Art. Good luck to everyone who participated!
Meet our second jury member: Shelly Wan.
Shelly Wan is originally from Guangzhou, a city in southern China. After graduating from the attached school of the Guangzhou Academy of Fine Arts, she came to Los Angeles, California to attend Pasadena Art Center College of Design. An illustration major, it wasn’t until the last school year that she began painting digitally. She interned at Walt Disney Imagineering during school, and went to work for Rockstar Games as a Concept Artist after graduating in December of 2004, on titles “Bully” and “Red Dead Redemption.” In 2007 she went to work at Imagi Animation Studio, as a Visual Development artist on “Astroboy.” Shelly started at Pixar Animation Studio as a sketch/color artist in 2010 to begin work on “Monsters University.” She has also done art for multiple book/comic covers and “Magic: the gathering.” Shelly was awarded “Best In Show” at the Beverly Hills Summer Art Show 2008, and was also awarded The Jack Gaughan Award for Best Emerging Artist in the same year. She has been featured in multiple exhibits at the American Museum of Illustration.
The Spectrum 21 judging event is this Saturday! Five jury members will convene in San Jose, California to cast their votes to decide which call for entries submissions are included in Spectrum 21: The Best in Contemporary Fantastic Art. Good luck to everyone who participated!
Meet our first jury member: Cory Godbey.
Cory Godbey lives in South Carolina with his wife Erin and their many cats. He creates fanciful illustrations for picture books, covers, comics, advertising, animated shorts, and films. Cory’s work has been featured in a variety of esteemed annuals, publications, and galleries. Some of his favorite past projects include working with The Jim Henson Co. and Archaia on Fraggle Rock and Labryinth comics, as well as creating the art and animation for the award winning documentary film The Last Flight of Petr Ginz. He shares his creative process and experience with emerging artists through online classes, workshops, and mentorships.
The Spectrum 21 submissions have been processed and are ready for the jury voting. The five judges: Cory Godbey, J. Anthony Kosar, George Pratt, Shelly Wan and Allen Williams, will convene in San Jose, California on March 1st.
The call for entries submissions will be reviewed and voted upon over the course of the day. Each judge votes independently and anonymously allowing for a fair process. A simple majority of three out of five votes will guarantee a work of art for inclusion in Spectrum 21. Those whose works are selected will be announced on the Spectrum Fantastic Art website by April 1st.
The Gold and Silver award recipients for each category will also be determined with the top five pieces being announced soon after the judging event. The recipients will be revealed at the live awards ceremony held on May 10 at the Midland Theatre in Kansas City. Admission is free to all Spectrum Fantastic Art Live three-day ticket holders and exhibitors, which runs from May 9-11.
Watch the Spectrum Fantastic Art website on March 1st for photographs and video posted throughput the Spectrum 21 judging event day. Expanded videos, more photographs and news about the day will be shared throughout the following week.
We wanted to remind everyone that this Friday, January 31, the cost for exhibiting space at Spectrum Live will rise. 10’x10′ premium booths are current $350 and 6′ Artist Alley tables are $100; prices increase to $450 and $200 respectively at midnight 1/31/14.
This is the opportunity to reach both well-known collectors and new patrons with your work at a friendly and focused event where the artists are the stars. Spectrum Live continues to grow in popularity and we anticipate yet another substantial increase in attendance: We are promoting the show regionally and nationally and will be advertising on television, the radio, and in print. With an area population of 2.5 million and another 50 million within a day’s drive, we intend to make sure everyone in the region knows exhibitors are in Kansas City. The convention center, hotels, theaters, clubs, and restaurants are all within short walks of each other and we’ve negotiated special room rates at the Aladdin and Marriott. Visitors have discovered that Kansas City is both welcoming and affordable: Spectrum is a show that won’t break the bank to exhibit at or attend. If you’re interested, please click on the link to book your space:
Besides sales, SFAL is also a prime venue for networking: artistic opportunities stem from interaction and Spectrum Live has many activities that allow attendees to learn and spend time with fellow creatives. Panels and workshops share tips and insights, life drawing sessions will be hosted by The Art Department, multiple artists will be giving live paintings drawing, and sculpting demonstrations, while art directors from the publishing and entertainment industries will be on hand to talk shop and review portfolios. Plus there’s the presentation of the Spectrum 21 Awards at the beautiful Midland Theater, a national landmark that provides a red carpet showcase for fantastic artists of all sensibilities. Not only does the awards ceremony offer the opportunity to socialize with fellow creators, but it allows everyone to join in a celebration of the community as a whole.
Unlike any other convention or show, big or small, Spectrum Fantastic Art Live is your event: Like the Spectrum annual, the artists are what make it tick. If you believe there should be a place that all artists are welcomed without prejudice, in which the art and the artists are the purpose, where artists aren’t bumped by corporations or excluded because of style or methodology…please join us, either as an exhibitor or attendee. As Donato Giancola said, “This weekend will go down in history as one of the greatest gatherings of talent in our field…we’ll all be proclaiming in years to come ‘I was there!'”
Today is the last day to submit your artwork before the Spectrum 21 call for entries comes to a close. All artworks in all media embracing the themes of science fiction, fantasy, horror, and the surreal are eligible for this competition. Any published or unpublished art that has been finished or first published between January 1, 2013, and January 1, 2014 is eligible.
You can fill out your forms, submit your art and make payment online in three easy steps. We still welcome hard copy prints sent in through the mail, too. If you are mailing in your entry, as long as the postmarked date is January 25th you can still mail it that day. There’s no need to use costly expedited or overnight mail services.
Over 200 artists will be exhibiting at Spectrum Fantastic Art Live 3. Here, Justin Sweet paints at his booth at SFAL2.
The early-bird price break for the exhibitor registration for Spectrum Fantastic Art Live 3 has been extended to January 31, 2014. Prices go up $100 starting on February 1. You can download an exhibitor application here, or go straight to the online registration here.
But why is it important to exhibit at shows? Here are my five top reasons why I exhibit at shows; and how Spectrum Fantastic Art Live meets my criteria.
Short answer:
1. For promotion
2. To meet the artists / industry colleagues
3. To get inspired
4. To grow
5. To sell books, prints and original art.
Long answer:
Last summer I wrote a blog detailing the five main reasons why I exhibit at shows. I’m going to share them again, but this time I will add some additional information and include how Spectrum Fantastic Art Live meets my own requirements, and by extension I hope to those who decide to exhibit with us as well.
But first, a little bit of history: I’ve attended and exhibited at over one hundred comic, book and art shows combined over the last 20 years. I’ve helped friends run their comic and rare book booths before I was a publisher and my own booths as Flesk Publications since 2005. Now recently I exhibit with Flesk and Spectrum booths side-by-side at shows
I’ve been to terribly mismanaged shows and others that were exceptionally well run. I’ve taken mental notes over the years and aim to put the positive aspects into practice with SFAL. I’m in a unique position in that starting in 2014 I am part of the Spectrum Fantastic Art Live organization. This group consists of me and five other key, smart and incredibly hard working individuals who I am honored to work with. I can have a say in a range of topics including those ideas that I like the most, caution about the things I see as being negative, and suggest new directions and ideas. SFAL is organized by the Spectrum founders, Cathy & Arnie Fenner.
Let’s get started:
1. Promotion.
It’s essential that I create a presence for Flesk Publications, Spectrum Fantastic Art and for the artists that I publish regularly. I look for opportunities to meet people and share with them what we do. Shows are, in my opinion the best and most cost effective way to do this.
I oftentimes have artists at my booth to give attendees an opportunity to meet with them. It is not a requirement for an artist to have been published by myself or for them to have been in Spectrum to join me. At times I do this simply because I like the artist and their art and it’s good to have their company at the booth. Another key reason is that I want the fan to have a pleasant experience. I also want to help the show where I exhibit at succeed. I promote every show where I attend since I want the organizers to succeed as well. The more popular the show is the better it is for us too.
This is a little off topic–falling more in how to conduct yourself at shows, but do you ever notice that I only write about positive things on my blog? If I have an issue, I offer a constructive break down and work toward a better goal. I do not use the internet to vent or use as a sounding board. Being negative gets you nowhere and causes a lapse in focus. Staying positive before, during and after a show will take you far–if you are patient and work smart. Back to the main topic…
For an artist, promotion at events builds a growing awareness of who you are. It can take years to build a following; plan on committing yourself for 3-5 years at various shows before expecting things to benefit you on a large scale. It doesn’t matter how good you are, if no one knows you or your work you will not succeed. Shows will help make you better known. For me, there is no better way to make an impact with another person than a face to face encounter.
How does SFAL help with promotion?
The booths at this show are reserved for artists, with very few exceptions being made to non-artists who fall within the art community and therefore benefit the show and add to the ambiance. We advertise and reach out to art collectors and fans that have a specific interest in the arts. The people who come to SFAL have a keen interest for our field. The attendees are knowledgeable and sophisticated and have a deep appreciation for what we do. And we welcome all artists, art directors and industry people to help bring you all together for greater opportunities and networking possibilities. I also want to note that it is not a requirement to have been in the Spectrum annual to exhibit or attend. We keep the entry ticket affordable and even have very reasonably priced artist tables to encourage new artists to exhibit at a show for the first time. We take a great interest in cultivating new and young artists.
2. Meet your fellow colleagues in person.
I met Gary Gianni, Steve Rude, Mark Schultz, Jim Silke, William Stout, Bruce Timm and a host of other people I work with at events where I have exhibiting at in the past. Shows provide a rare accessibility to artists and many opportunities arise there that can pay off three or five years from now.
Having a booth makes you accessible. It is a location where fans and industry people can find you and solicit commissions and work. I know many artists who either pick up jobs at shows, or receive calls a few months later from someone who met them at a show and who are following up regarding a request. You may not make money at a show, but you may make it down the line.
How does SFAL help with meeting the artists?
We do this by keeping our focus on the artists, and an affordable entry for the general public. We cultivate those in the industry and those who appreciate the arts to gather in one convenient and central location with easy access from the East and West coasts and everywhere in-between. My notes regarding how SFAL helps with promotion applies here as well.
3. Get inspired!
Walking the show and seeing what others are doing is fuel that can last for months.
How SFAL will help get you inspired?
This is a fun topic for me. I keep mentioning this because it is so important to the SFAL organizers; almost all of the booths are artists. The show is a network of booth after booth of artists who paint, draw, sculpt, hand-craft and use technology to create a near overload of imagery. Making your way through the isles is an opportunity to be stimulated and interact with others passions. The wide-range of arts to be found will guarantee you will meet someone with like-minded views. You will leave inspired.
4. Grow.
Panels, business meetings and talking with our Flesk and Spectrum supporters helps me make decisions for the future and it provides me with the knowledge to keep me on track.
How SFAL will help you grow?
Besides the topics mentioned already, an important goal of ours is to have the best panels by artists for artists, and for the fans who want insight into how things work in the studios. We are setting up painting workshops, industry panels conducted by top named editors, panels for the fans to interact with the artists, and more. We want people leaving the show with valuable new knowledge that can enlighten, and benefit a growing career.
5. Sell art, books, prints, sculptures and more.
I love selling books, packing books, shipping books and getting them into the hands of those that support Flesk and Spectrum. I’m not selling a product that I bought for resale. I am selling books that we made, oftentimes that took months or years to create that I was heavily involved with and that I am passionate about. When someone buys one of our books I am especially grateful since it allows me to continue making more books, and pay royalties to the artists that goes toward the creation of new works.
How does SFAL help to sell your art?
I imagine that some artists feel the same way about selling their art as I do about selling books. Regardless of your motives or what you get out of it, the SFAL organizers work hard to attract buyers who are looking to purchase art direct from you and not from a dealer. What I enjoy most about buying from an artist is that in a small way I have contributed to the artist to produce more work. We welcome and encourage fans and other artists to help one another to succeed.
That wraps up my top five reasons for attending a show and how as one of the SFAL organizers I am working to make Spectrum Fantastic Art Live 3 a fun and rewarding experience for all involved.
There is one more topic to discuss, and that is important to consider. That would be making money at a show. I’ve never looked at exhibiting at a show as an immediate financial reward. I’m always happy if I break even. I’ve exhibited at plenty of shows where I lost money, sometimes thousands of dollars, but that never was reason enough for me to quit or to stop exhibiting. For me, embracing my top five is far more rewarding and always pays off in long run.
I’m looking forward to SFAL3 and hope to see you there.
The Spectrum 21 Call for Entries is now open! You can visit the Spectrum Fantastic Art website for details, to meet the judges, for FAQs, to download a PDF of the submission poster or to submit online. The posters have been mailed to those on our mailing list today. They should start arriving by early next week.
Award-winning artist and FACE OFF Season 4 Champion J. Anthony Kosar specializes in Fine Art, Illustration, Sculpture, and Special Effects through his company Kosart Effects Studios, LLC. In 2007, he interned at legendary Stan Winston Studio creating effects for INDIANA JONES 4 and James Cameron’s AVATAR. Kosar designs and sculpts Halloween masks, creates special effects for theater, film, and commercials, and teaches the Art of FX through his studio in Westmont, IL. Besides FX, Kosar designs and sculpts prototypes for toys, collectibles and medical anatomical models, illustrates for novels and comic books, curates art gallery exhibitions, and creates his own fine art paintings and sculptures. His paintings have appeared in Watercolor Artist Magazine and SPLASH: Best of Watercolor, and his sculptures have appeared in SPECTRUM: The Best in Contemporary Fantastic Art. (Artwork photo by Bear McGivney.)
