The Spectrum 21 submissions have been processed and are ready for the jury voting. The five judges: Cory Godbey, J. Anthony Kosar, George Pratt, Shelly Wan and Allen Williams, will convene in San Jose, California on March 1st.
The call for entries submissions will be reviewed and voted upon over the course of the day. Each judge votes independently and anonymously allowing for a fair process. A simple majority of three out of five votes will guarantee a work of art for inclusion in Spectrum 21. Those whose works are selected will be announced on the Spectrum Fantastic Art website by April 1st.
The Gold and Silver award recipients for each category will also be determined with the top five pieces being announced soon after the judging event. The recipients will be revealed at the live awards ceremony held on May 10 at the Midland Theatre in Kansas City. Admission is free to all Spectrum Fantastic Art Live three-day ticket holders and exhibitors, which runs from May 9-11.
Watch the Spectrum Fantastic Art website on March 1st for photographs and video posted throughput the Spectrum 21 judging event day. Expanded videos, more photographs and news about the day will be shared throughout the following week.
We wanted to remind everyone that this Friday, January 31, the cost for exhibiting space at Spectrum Live will rise. 10’x10′ premium booths are current $350 and 6′ Artist Alley tables are $100; prices increase to $450 and $200 respectively at midnight 1/31/14.
This is the opportunity to reach both well-known collectors and new patrons with your work at a friendly and focused event where the artists are the stars. Spectrum Live continues to grow in popularity and we anticipate yet another substantial increase in attendance: We are promoting the show regionally and nationally and will be advertising on television, the radio, and in print. With an area population of 2.5 million and another 50 million within a day’s drive, we intend to make sure everyone in the region knows exhibitors are in Kansas City. The convention center, hotels, theaters, clubs, and restaurants are all within short walks of each other and we’ve negotiated special room rates at the Aladdin and Marriott. Visitors have discovered that Kansas City is both welcoming and affordable: Spectrum is a show that won’t break the bank to exhibit at or attend. If you’re interested, please click on the link to book your space:
Besides sales, SFAL is also a prime venue for networking: artistic opportunities stem from interaction and Spectrum Live has many activities that allow attendees to learn and spend time with fellow creatives. Panels and workshops share tips and insights, life drawing sessions will be hosted by The Art Department, multiple artists will be giving live paintings drawing, and sculpting demonstrations, while art directors from the publishing and entertainment industries will be on hand to talk shop and review portfolios. Plus there’s the presentation of the Spectrum 21 Awards at the beautiful Midland Theater, a national landmark that provides a red carpet showcase for fantastic artists of all sensibilities. Not only does the awards ceremony offer the opportunity to socialize with fellow creators, but it allows everyone to join in a celebration of the community as a whole.
Unlike any other convention or show, big or small, Spectrum Fantastic Art Live is your event: Like the Spectrum annual, the artists are what make it tick. If you believe there should be a place that all artists are welcomed without prejudice, in which the art and the artists are the purpose, where artists aren’t bumped by corporations or excluded because of style or methodology…please join us, either as an exhibitor or attendee. As Donato Giancola said, “This weekend will go down in history as one of the greatest gatherings of talent in our field…we’ll all be proclaiming in years to come ‘I was there!'”
I would like to express my utmost gratitude to everyone who sent in their call for entries submissions to Spectrum 21. We are thrilled to have your support and goodwill. This has been an exciting experience so far. We are enjoying preparing your entries for the judges to review in early March. We would like to assure you that we do not pre-screen any art. The integrity of Spectrum and making sure each of your submissions has an equal opportunity to be viewed by the jury is important to us. Those who are selected for inclusion into Spectrum 21 will be notified in April 2014. Good luck, everyone!
Please visit the Spectrum website news page each week to learn more about the process. We will be providing updates to keep you informed!
Today is the last day to submit your artwork before the Spectrum 21 call for entries comes to a close. All artworks in all media embracing the themes of science fiction, fantasy, horror, and the surreal are eligible for this competition. Any published or unpublished art that has been finished or first published between January 1, 2013, and January 1, 2014 is eligible.
You can fill out your forms, submit your art and make payment online in three easy steps. We still welcome hard copy prints sent in through the mail, too. If you are mailing in your entry, as long as the postmarked date is January 25th you can still mail it that day. There’s no need to use costly expedited or overnight mail services.
Our friends at Helpful Bear Productions put together these The Art of Brom promotional banners for us to use. I wanted to share them here for the first time.
Over 200 artists will be exhibiting at Spectrum Fantastic Art Live 3. Here, Justin Sweet paints at his booth at SFAL2.
The early-bird price break for the exhibitor registration for Spectrum Fantastic Art Live 3 has been extended to January 31, 2014. Prices go up $100 starting on February 1. You can download an exhibitor application here, or go straight to the online registration here.
But why is it important to exhibit at shows? Here are my five top reasons why I exhibit at shows; and how Spectrum Fantastic Art Live meets my criteria.
Short answer:
1. For promotion
2. To meet the artists / industry colleagues
3. To get inspired
4. To grow
5. To sell books, prints and original art.
Long answer:
Last summer I wrote a blog detailing the five main reasons why I exhibit at shows. I’m going to share them again, but this time I will add some additional information and include how Spectrum Fantastic Art Live meets my own requirements, and by extension I hope to those who decide to exhibit with us as well.
But first, a little bit of history: I’ve attended and exhibited at over one hundred comic, book and art shows combined over the last 20 years. I’ve helped friends run their comic and rare book booths before I was a publisher and my own booths as Flesk Publications since 2005. Now recently I exhibit with Flesk and Spectrum booths side-by-side at shows
I’ve been to terribly mismanaged shows and others that were exceptionally well run. I’ve taken mental notes over the years and aim to put the positive aspects into practice with SFAL. I’m in a unique position in that starting in 2014 I am part of the Spectrum Fantastic Art Live organization. This group consists of me and five other key, smart and incredibly hard working individuals who I am honored to work with. I can have a say in a range of topics including those ideas that I like the most, caution about the things I see as being negative, and suggest new directions and ideas. SFAL is organized by the Spectrum founders, Cathy & Arnie Fenner.
Let’s get started:
1. Promotion.
It’s essential that I create a presence for Flesk Publications, Spectrum Fantastic Art and for the artists that I publish regularly. I look for opportunities to meet people and share with them what we do. Shows are, in my opinion the best and most cost effective way to do this.
I oftentimes have artists at my booth to give attendees an opportunity to meet with them. It is not a requirement for an artist to have been published by myself or for them to have been in Spectrum to join me. At times I do this simply because I like the artist and their art and it’s good to have their company at the booth. Another key reason is that I want the fan to have a pleasant experience. I also want to help the show where I exhibit at succeed. I promote every show where I attend since I want the organizers to succeed as well. The more popular the show is the better it is for us too.
This is a little off topic–falling more in how to conduct yourself at shows, but do you ever notice that I only write about positive things on my blog? If I have an issue, I offer a constructive break down and work toward a better goal. I do not use the internet to vent or use as a sounding board. Being negative gets you nowhere and causes a lapse in focus. Staying positive before, during and after a show will take you far–if you are patient and work smart. Back to the main topic…
For an artist, promotion at events builds a growing awareness of who you are. It can take years to build a following; plan on committing yourself for 3-5 years at various shows before expecting things to benefit you on a large scale. It doesn’t matter how good you are, if no one knows you or your work you will not succeed. Shows will help make you better known. For me, there is no better way to make an impact with another person than a face to face encounter.
How does SFAL help with promotion?
The booths at this show are reserved for artists, with very few exceptions being made to non-artists who fall within the art community and therefore benefit the show and add to the ambiance. We advertise and reach out to art collectors and fans that have a specific interest in the arts. The people who come to SFAL have a keen interest for our field. The attendees are knowledgeable and sophisticated and have a deep appreciation for what we do. And we welcome all artists, art directors and industry people to help bring you all together for greater opportunities and networking possibilities. I also want to note that it is not a requirement to have been in the Spectrum annual to exhibit or attend. We keep the entry ticket affordable and even have very reasonably priced artist tables to encourage new artists to exhibit at a show for the first time. We take a great interest in cultivating new and young artists.
2. Meet your fellow colleagues in person.
I met Gary Gianni, Steve Rude, Mark Schultz, Jim Silke, William Stout, Bruce Timm and a host of other people I work with at events where I have exhibiting at in the past. Shows provide a rare accessibility to artists and many opportunities arise there that can pay off three or five years from now.
Having a booth makes you accessible. It is a location where fans and industry people can find you and solicit commissions and work. I know many artists who either pick up jobs at shows, or receive calls a few months later from someone who met them at a show and who are following up regarding a request. You may not make money at a show, but you may make it down the line.
How does SFAL help with meeting the artists?
We do this by keeping our focus on the artists, and an affordable entry for the general public. We cultivate those in the industry and those who appreciate the arts to gather in one convenient and central location with easy access from the East and West coasts and everywhere in-between. My notes regarding how SFAL helps with promotion applies here as well.
3. Get inspired!
Walking the show and seeing what others are doing is fuel that can last for months.
How SFAL will help get you inspired?
This is a fun topic for me. I keep mentioning this because it is so important to the SFAL organizers; almost all of the booths are artists. The show is a network of booth after booth of artists who paint, draw, sculpt, hand-craft and use technology to create a near overload of imagery. Making your way through the isles is an opportunity to be stimulated and interact with others passions. The wide-range of arts to be found will guarantee you will meet someone with like-minded views. You will leave inspired.
4. Grow.
Panels, business meetings and talking with our Flesk and Spectrum supporters helps me make decisions for the future and it provides me with the knowledge to keep me on track.
How SFAL will help you grow?
Besides the topics mentioned already, an important goal of ours is to have the best panels by artists for artists, and for the fans who want insight into how things work in the studios. We are setting up painting workshops, industry panels conducted by top named editors, panels for the fans to interact with the artists, and more. We want people leaving the show with valuable new knowledge that can enlighten, and benefit a growing career.
5. Sell art, books, prints, sculptures and more.
I love selling books, packing books, shipping books and getting them into the hands of those that support Flesk and Spectrum. I’m not selling a product that I bought for resale. I am selling books that we made, oftentimes that took months or years to create that I was heavily involved with and that I am passionate about. When someone buys one of our books I am especially grateful since it allows me to continue making more books, and pay royalties to the artists that goes toward the creation of new works.
How does SFAL help to sell your art?
I imagine that some artists feel the same way about selling their art as I do about selling books. Regardless of your motives or what you get out of it, the SFAL organizers work hard to attract buyers who are looking to purchase art direct from you and not from a dealer. What I enjoy most about buying from an artist is that in a small way I have contributed to the artist to produce more work. We welcome and encourage fans and other artists to help one another to succeed.
That wraps up my top five reasons for attending a show and how as one of the SFAL organizers I am working to make Spectrum Fantastic Art Live 3 a fun and rewarding experience for all involved.
There is one more topic to discuss, and that is important to consider. That would be making money at a show. I’ve never looked at exhibiting at a show as an immediate financial reward. I’m always happy if I break even. I’ve exhibited at plenty of shows where I lost money, sometimes thousands of dollars, but that never was reason enough for me to quit or to stop exhibiting. For me, embracing my top five is far more rewarding and always pays off in long run.
I’m looking forward to SFAL3 and hope to see you there.
Our Drawing Beautiful Women: The Frank Cho Method Kickstarter campaign ends this Friday. This is the book where Frank Cho, the acclaimed creator of Liberty Meadows, shares his secrets to drawing the lovely women he is renowned for.
We offer a variety of editions from an affordably priced trade paperback all the way up to a fancy oversized limited edition. Eight stretch goals have been unlocked so far. Here is a rundown on the current free bonus items you will receive for those who make a book pledge of $20 or more.
-Free shipping by USPS Media Mail with tracking in the U.S.A. -Free 8 x 10″ print featuring a drawing the head construction guide with various angles shown -Two gatefolds added to the trade and publisher’s editions. -French flaps added to the trade paperback edition. -Free second 8 x 10″ print showing the full body construction of a woman from the front, side and rear. -Upgrade binding for the $35 Hardcover Publisher’s edition with jacket. -Free digital PDF version of the book for your computers and tablets. -Adding two gatefolds to the Gallery Edition. -Upgrade binding for the $50 hardcover Deluxe Limited and Signed Publisher’s Edition.
Our next two stretch goals are:
Preliminary sketch for Ivy Doomkitty print.
-A third free print, this one featuring the lovely Ivy Doomkitty! -A Frank Cho online art demonstration video (Again Frank will be fully clothed, we promise.)
Flesk Prime patron, Strip Festival organizer and friend, Fons van Erp.
We had our second “An Evening With Flesk Prime” on October 24, 2013 in Breda, The Netherlands. This private dinner was held at a luxurious restaurant in a secluded area of the city. A natural barrier of native trees sheltered us from the sounds and sights of modern day civilization. It was the perfect setting for our intimate dinner with the artists and patrons. The evening was arranged by our stalwart friend, Mark Thelosen. Thanks to Mark for his excellent restaurant selection and for making the evening run so smoothly.
I came up with the idea of An Evening with Flesk Prime a few months prior to our 2011 visit to the Strip Festival in Breda. I oftentimes have the opportunity to have small group dinners with the artists and thought it would be fun to make a special dinner available to a small group of fans. With the 2011 inaugural evening a success, we decided to hold a follow-up dinner two nights prior to the 2013 Breda event.
I would like to thank our local patrons who partook in Flesk Prime. We all thoroughly enjoyed your company, conversation and laughs. We were pleased to see the many repeat attendees and to have the opportunity to meet the new gentlemen who joined us.
I also want to pass along my gratitude to our special guests: Terry & Rachel Dodson, Petar Meseldzija, Mark Schultz, Jim Silke and Thomas Yeates. The following are pictures from the dinner.
Jim and Kurtesa Silke.Thomas Yeates in the center. All smiles.Terry Dodson (middle) is an excellent storyteller, both in comics and in person.Mark Schultz (in the foreground) discussing his German roots.The view from the head of the table.Another shot at Terry’s zone.
Sorry, Petar! The pictures of you from the night didn’t come out good. But, for our Petar Meseldzija fans, I have plenty of unseen pictures of Petar that I’ll be sharing on my blog soon.
*An exclusive print of the renowned model Ivy Doomkitty. (Whoa Nellie!)
*A Frank Cho illustration process video. (He’ll draw a hottie from start to finish.)
*Upgraded bindings for our books.
*Digital PDF version that can all be yours at no additional cost for those who make a book pledge of $20 or more.
*Plus, we’re throwing in a digital PDF tier for just $10. No, we’re not going nuts (we checked), we just like giving more goodies as your support grows. You deserve it!
Here’s a full breakdown of the new offerings.
Gallery Edition
This massive edition will be 12 inches wide by 17 inches tall. The Gallery Edition will feature a new oil painting of a reclining nude woman on the printed boards cover. (The cover sample shows the painting and rough design, both of which are in progress.)
New Digital Tier
We’ve added a $10 tier for a digital version of the 112-page trade edition book in PDF form. You will also be eligible to have free access to the online Frank Cho art demonstration video if we hit our stretch goal to make the film happen. This is an incredible deal and also an excellent option for our international friends. Please note that all other stretch goals and exclusives are only available to book pledges of $20 or more
Stretch Goals to Unlock
$95K Stretch Goal
Upgrade binding for the $35 Hardcover Publisher’s Edition. We will upgrade the binding from the current paper printed boards to an Arlin boards wrap with custom stamp on the front boards. This version includes a jacket too.
$100K Stretch Goal
We will add a digital PDF version for everyone who makes a book pledge of $20 or more. This is a great way to have your hard copy book and a digital copy for when you are on the go.
$110K Stretch Goal Adding two gatefolds to our Gallery Editions. This goal is for two gatefolds, each measuring a whopping 24 inches wide by 17 inches tall! (That’s how tall Frank Cho is in real life.)
$115K Stretch Goal Upgrade binding of the $50 Hardcover Deluxe Limited & Signed Publisher’s Edition to a fancy quarter-binding with an onlaid plate featuring the cover art set in the front center boards. The board design will finish off with a stamp of the title and Frank Cho’s name on the front boards. The jacket will also be included.
$125K Stretch Goal
We will add a third free print Featuring Ivy Doomkitty. An 8 x 10 inch print featuring a classy nude watercolor pinup of internationally known cosplayer and model, the great Ivy Doomkitty, ONLY AVAILABLE THROUGH THIS KICKSTARTER CAMPAIGN!
$140K Stretch Goal
A Frank Cho Drawing Demonstration Video. John Fleskes will fly out to Frank’s studio and film him drawing a few pieces included in the book. (John will make sure Frank wears his pants throughout the demonstration.) This 40 minute online video with narration will be available for free to all of our Kickstarter supporters who make a book pledge of $20 or more, and to those who pledge for the digital $10 tier.
If we get over the $140K mark we’ll have another big stretch goal to announce.
Art sample for the Deluxe Gallery Edition Sketch Tier available on Kickstarter.
Thanks again for all of your help and support. We greatly appreciate it!
Here’s a treat! The Art of Brom from Flesk Publications promotional video. A special thanks to Helpful Bear Productions for putting this together. I love how this turned out!