Tripwire #54 Summer 2010 Features Four-Page Schultz Interview and Xenozoic Preview!

The latest issue of Tripwire Magazine is available. This summer 2010 issue features a four-page interview with Mark Schultz discussing his upcoming Xenozoic book with sample art. Mark also talks about his future plans and his thoughts on the recent loss of Al Williamson. There is also a one-page remembrance on Al Williamson on page 81. In addition, you can find our Flesk advertisement included within.

Matt Groening, Drew Struzan and Dave McKean article / interviews are additional features making this magazine worth reading. For more information you can visit the Tripwire Magazine website by clicking here. Check out your local bookstore to pick up a copy.
Enjoy,

John

John Fleskes
Flesk Publications

Mark Schultz and Steve Bryant Discuss Al Williamson at Word Balloon Podcast with John Siuntres

A few days prior to Al Williamson passing away, Mark Schultz was interviewed by John Siuntres for Word Balloon Podcast. They happened to discuss Al Williamson during the interview, which has turned into a nice tribute. John also interviewed Steve Bryant specifically to cover more about Williamson’s career. You can listen to the podcast by clicking here.

John

John Fleskes
Flesk Publications

Al Williamson (1931-2010)

The following press release has been approved by the Williamson family.

Al Williamson, who for over fifty years drew for both comic books and comic strips, died June 12, 2010, at age 79. In recent years he suffered from Alzheimer’s disease. He is survived by his wife of thirty-two years, Cori, his daughter Valerie and his son Victor.

Williamson was born in New York City in 1931, but spent his first thirteen years primarily in Bogotá, Colombia. In 1941, his mother took him to see the science fantasy movie serial Flash Gordon Conquers the Universe, an experience which, combined with his love for comics storytelling, set his career course at an early age.

Williamson, who first and foremost considered himself a cartoonist, excelled at illustrative science fiction, adventure and western stories, pulling inspiration from both classic comic strips and motion pictures. He is highly regarded both popularly and critically for his excellent draftsmanship and dynamic storytelling. Most notably, Williamson was extraordinarily accomplished at rendering the human figure in motion. His classically proportioned characters twist and leap with a startlingly vivid illusion of movement in part evolved from his study of motion picture action choreography.

Williamson began his professional career in 1948 and achieved popular recognition in the early 1950s as the youngest and one of the most talented contributors to the legendary EC line of comics. Beyond EC, Williamson drew superior work for many comic publishers, including American Comics Group, Atlas/Marvel, Charlton, Classics Illustrated, Dark Horse, Dell, Harvey, King, Prize, Toby and Warren. From 1967 until 1980 he produced the art for the King Features Syndicate’s daily Secret Agent Corrigan newspaper strip, and from 1981 to 1984 drew the daily and Sunday Star Wars newspaper strip.

Beginning in the 1980s Williamson reintroduced himself to a new generation of comics readers as an inker for DC and then Marvel Comics, enjoying memorable stints finishing the work of other artists on Superman, Daredevil and Spidergirl.

The single comics character, however, with whom Williamson is most identified would be Flash Gordon. The science fiction adventurer, created in 1932 by Alex Raymond for King Features, engaged the lifelong imagination of Williamson. He produced a much beloved series of stories for King Comics’ Flash Gordon comic book in the 1960s. He returned to the character in 1980, drawing a comics adaptation of the contemporary Flash Gordon motion picture. In the 1990s, he produced a Flash Gordon mini-series for Marvel Comics and later contributing to the original Sunday strip. In addition to the stories, he produced countless other Flash Gordon images for uses in advertising, merchandising and the fan press.

He gradually retired from the professional ranks in the early years of the new century as one of comics’ most admired and influential creators. Over his career he received numerous professional awards, including multiple Harvey and Eisner Awards and the National Cartoonists Society’s 1967 Award for Best Comic Book Cartoonist.

Beyond his remarkable accomplishments as an artist—the works mentioned above represent only a sampling—Williamson deserves recognition as a veteran who often opened professional doors for many others starting their careers. An impressive number of comics contributors owe at least part of their success to Williamson’s willingness to recommend and promote new artists and writers to his editorial contacts.

Williamson was also an avid collector of comics and illustration art, valuing the beauty of original drawings produced for comic books and strips long before the physical art created by commercial artists was popularly appreciated. He will be fondly remembered by those you knew him for his generosity, his indefatigable sense of humor and his great enthusiasm in sharing his love of comics, illustration, movies and music.

Al Williamson took inspiration from a legion of cartoonists, illustrators and motion pictures from the first half of the twentieth century and created works of timeless appeal—and then he passed that inspiration on to new generations of comics creators.

The family requests that, in lieu of flowers, a donation in Al’s memory be made to either:

The Joe Kubert School
37 Myrtle Avenue
Dover, NJ 07801
Attn: Al Williamson Scholarship Fund

or

Yesteryears Day Program
2801 Wayne Street
Endwell, NY 13760

Al Williamson (1931-2010)

Al Williamson passed away the night of Saturday, June 12, with his wife, Cori and son, Victor by his side. The family will release a statement when they are able. I will post further details shortly.

Here’s to a great man, a brilliant cartoonist and a generous friend! He will be sorely missed.

John

John Fleskes
Flesk Publications

William Stout Interview at Comic Book Resources!

William Stout: Hallucinations Coming July 2010 from Flesk.
William Stout: Hallucinations Coming July 2010 from Flesk.

Alex Dueben has written an article on “The Many Careers of William Stout,” followed by an interview with Stout, available on the Comic Book Resources website.

This informative article and interview covers Stout’s work in film, comics, and as a paleoartist and muralist. Furthermore, Stout discusses the story behind his books, Dinosaur Discoveries and New Dinosaur Discoveries A-Z, and shares news on his upcoming fantasy art collections Hallucinations and Inspirations. There is also a good discussion focusing on his work ethic and diversity in selecting projects.

You can read the interview at Comic Book Resources by clicking here.

Enjoy,

John

John Fleskes
Flesk Publications

Spectrum 17 – My Adventures as a Jury Member!

As I mentioned a few weeks back, I am thrilled to have been included among the five-member jury for Spectrum 17, along with Bill Carman, Kerry Callen, Rebecca Guay, and Iain McCaig.

We convened in Kansas City, MO on February 26 to view nearly 6000 works! The morning started at 8:15AM when we met with Arnie and Cathy Fenner in the hotel lobby. We were escorted to Pershing Hall, which encompasses 15,000 square feet. I recall walking into the room, looking to the left, then to the right, and being astonished at how much material was laid out for viewing. Arnie then told us they would have to lay out the room again once or maybe two more times. (It turned out the room was filled almost a third time). There’s some pictures and video of the room at the Spectrum website here.

The five of us were armed with a cup of beans, with each jury member having a different color. Every piece of art had its own upside down cup with a small hole. Our instructions were simple. If you like the art, drop in a bean. Every piece of art that gets a majority vote (three or more beans) goes in the book. The different colored beans for each judge makes sure no double votes are cast by mistake by the same person. We also had the option of dropping in a paperclip to mark those pieces we felt were exceptional for consideration for a Gold or Silver Award. We were discouraged from talking to one another and started from different areas of the room to make our personal and anonymous choices.

Throughout the day I was really impressed by many things. I’d like to point out two of them. One was how fair the voting process is. Having the opportunity to vote on a pure anonymous level, and not knowing the names of the artists works I was viewing was a no pressure, comfortable experience allowing me to vote based on the merits of the individual art. The second thing was how great the Spectrum staff was. The kept us fed, provided plenty of breaks, and had everything taken care of. I felt relaxed, so viewing the nearly 6000 pieces of art didn’t seem overwhelming. I felt I could give the proper amount of time to each piece. It was a very smooth good day.

I admit I was disappointed to see the Comics category so sparse. Comics are my first love and I was especially looking forward to see the submissions. I hope to see this section grow in the coming years, so if you are a comic artist, I encourage you to submit your work. And, some sequential pages would be good, too! I only saw a few comic pages, with most of the entries being covers or splashes.

One (of the many) things that I liked was being able to view all of the art in a hard copy form, and not on a computer or in digital form. It was easy to go back and forth, and compare pieces to one another, go back to a certain area or table, and give each piece a good viewing.
Arnie and Cathy gave us a time limit for viewing the three separate layouts of the room, since they wanted to make sure we had enough time for award considerations at the end. They explained this final process has gone long into the evening in previous years.

Well, it turns out we had a like-minded jury, as we made the award selections fairly quickly. It was pretty amazing how unified we were. Arnie and Cathy seemed happy with how quickly we made group decisions. I was surprised by how many pieces had multiple paperclips. It’s just staggering to think that out of 6000 pieces, that we were so close in aesthetics to have picked the same types of pieces. For instance, for the Unpublished section, we all picked multiple Eric Fortune pieces for award consideration. I was completely unfamiliar with his work at the time. I was impressed and dropped a few paperclips for his art. I think we had five or six Fortune pieces to choose from. The only other artist who came close to having as many pieces marked for awards was Sam Weber, who received two awards, one in the Advertising category and another in Editorial. We were all in the same groove. We whittled the ten or fifteen or so selections from each category down to a handful of pieces, then debated the merits of each piece until a majority decision could be made. Each jury member was great about listening and expressing his or her reasons why a piece of art should receive an award. It also helped that Arnie let us choose two pieces for a silver award for the Dimensional and Unpublished categories. In those two cases, we felt each of the four pieces were really deserving of a Silver award. You can view all of the award winners by clicking here.

It was a terrific weekend. Again, the Spectrum staff and the Fenner’s made the whole process so smooth and enjoyable, it left me relaxed and focused all day. It was an honor to be among this delightful group and have this opportunity.

Congratulations to everyone who makes it into Spectrum 17! The list of artist names selected for the book has been posted on the Spectrum website. You can view the results here.

John

John Fleskes
Flesk Publications

Flesk, Mark Schultz, Jim Silke and William Stout Exhibiting at WonderCon!

Gary Gianni providing a sketch inside his Twenty-Thousand Leagues Under the Sea adaptation while Mark Schultz looks on at the 2009 WonderCon.
Gary Gianni providing a sketch inside his Twenty-Thousand Leagues Under the Sea adaptation while Mark Schultz looks on at the 2009 WonderCon.
Happy fans posing with their new Twenty-Thousand Leagues Under the Sea book including a fresh sketch from Gianni at the 2009 WonderCon.
Happy fans posing with their new Twenty-Thousand Leagues Under the Sea book including a fresh sketch from Gianni at the 2009 WonderCon.

WonderCon 2010 is coming!

Flesk Publications will be exhibiting at WonderCon in San Francisco on April 2-4 at booth #1019. Mark Schultz will be at our booth all three days. William Stout will be right next to us at booth #1021. Also, Jim Silke will be in artists’ alley at table #AA031. We will have books available, plus each artist will be signing and have original artwork for sale. We will also have our friend Manuel Auad of Auad Publishing at our Flesk booth with an assortment of his titles, including the new Frank Brangwyn portfolio. We will have previews and promotional material for our summer and fall titles, including news of our upcoming book Jungle Girls by Jim Silke! We look forward to seeing you at the show. For full details and directions you can visit the WonderCon website here.

John

John Fleskes
Flesk Publications

Illustration Magazine #29 Now Available – See Our Flesk Ad!

Illustration Magazine #29 is hitting the stores and subscribers mailboxes now. I just received my copy today. As usual, Dan Zimmer has produced another superb issue. This one includes a feature-length article on pulp artist H.J. Ward by David Saunders. You can get your copy direct from the Illustration Magazine website here, or from Bud’s Art Books here. Also, be sure to check out our Flesk advertisement on page 15.

Enjoy,

John

John Fleskes
Flesk Publications

Jim & Ruth Keegan’s Two-Gun Blog!

Jim & Ruth Keegan have joined the 21st century with their blog Jim & Ruth’s Two-Gun Blog, where you can view their new paintings and read the latest news about them. Jim & Ruth are the creators of The Adventures of Two-Gun Bob, which appears in the back of every issue of Conan, Solomon Kane, or Kull comic books. They have also illustrated the books The Best of Robert E. Howard Vol. 1 and Vol. 2 as well as El Borak for Del-Rey Books, and Crimson Shadows for Subterranean Books. (Which can be purchased from Bud’s Art Books.)

The above cover artwork is for the book The Early Adventures of El Borak, a new collection from the Robert E. Howard Foundation.

Jim & Ruth will be guests of the Robert E. Howard weekend in Cross Plains, Texas this June. I’m not sure of the actual day yet, but will post the information when I learn more details. Or, better yet, keep checking Jim & Ruth’s blog for the announcement.

Jim is also an exceptional designer, who is responsible for the design of our Jules Verne’s Twenty-Thousand Leagues Under the Sea book adapted by Gary Gianni. Jim & Ruth also colored the book.

Enjoy,

John

John Fleskes
Flesk Publications