Hallucinations by William Stout is Now Available!

Hallucinations by William Stout is here! There are two editions for this fantasy art book collection. The paperbound edition is $19.95. The hardbound signed edition limited to 500 copies is available for $29.95. I have about 50 copies of the hardbound edition left. I have reserved this small batch for direct orders through Flesk. We will also have a few copies available at our booth at Comic-Con International in San Diego. Full details on the book can be found here. Click here for ordering information. Comic shops and book stores will receive their copies within the next week or two. Enjoy the interior sample images below!

John

John Fleskes
Flesk Publications

Mark Schultz “The Losers” Cover for Our Fighting Forces!

Mark Schultz has drawn The Losers for the cover for the Our Fighting Forces September issue. Mark submitted a detailed pencil piece that could be used for advance solicitation. The next stage would have involved inking the approved artwork. But the editor, Joey Cavalieri, was impressed enough with the pencil art to run this version as the cover art. You can find both the pencil piece and the colored version below. For details on the upcoming comic, click here.

Enjoy,

John

John Fleskes
Flesk Publications

Mark Schultz and Steve Bryant Discuss Al Williamson at Word Balloon Podcast with John Siuntres

A few days prior to Al Williamson passing away, Mark Schultz was interviewed by John Siuntres for Word Balloon Podcast. They happened to discuss Al Williamson during the interview, which has turned into a nice tribute. John also interviewed Steve Bryant specifically to cover more about Williamson’s career. You can listen to the podcast by clicking here.

John

John Fleskes
Flesk Publications

Al Williamson (1931-2010)

The following press release has been approved by the Williamson family.

Al Williamson, who for over fifty years drew for both comic books and comic strips, died June 12, 2010, at age 79. In recent years he suffered from Alzheimer’s disease. He is survived by his wife of thirty-two years, Cori, his daughter Valerie and his son Victor.

Williamson was born in New York City in 1931, but spent his first thirteen years primarily in Bogotá, Colombia. In 1941, his mother took him to see the science fantasy movie serial Flash Gordon Conquers the Universe, an experience which, combined with his love for comics storytelling, set his career course at an early age.

Williamson, who first and foremost considered himself a cartoonist, excelled at illustrative science fiction, adventure and western stories, pulling inspiration from both classic comic strips and motion pictures. He is highly regarded both popularly and critically for his excellent draftsmanship and dynamic storytelling. Most notably, Williamson was extraordinarily accomplished at rendering the human figure in motion. His classically proportioned characters twist and leap with a startlingly vivid illusion of movement in part evolved from his study of motion picture action choreography.

Williamson began his professional career in 1948 and achieved popular recognition in the early 1950s as the youngest and one of the most talented contributors to the legendary EC line of comics. Beyond EC, Williamson drew superior work for many comic publishers, including American Comics Group, Atlas/Marvel, Charlton, Classics Illustrated, Dark Horse, Dell, Harvey, King, Prize, Toby and Warren. From 1967 until 1980 he produced the art for the King Features Syndicate’s daily Secret Agent Corrigan newspaper strip, and from 1981 to 1984 drew the daily and Sunday Star Wars newspaper strip.

Beginning in the 1980s Williamson reintroduced himself to a new generation of comics readers as an inker for DC and then Marvel Comics, enjoying memorable stints finishing the work of other artists on Superman, Daredevil and Spidergirl.

The single comics character, however, with whom Williamson is most identified would be Flash Gordon. The science fiction adventurer, created in 1932 by Alex Raymond for King Features, engaged the lifelong imagination of Williamson. He produced a much beloved series of stories for King Comics’ Flash Gordon comic book in the 1960s. He returned to the character in 1980, drawing a comics adaptation of the contemporary Flash Gordon motion picture. In the 1990s, he produced a Flash Gordon mini-series for Marvel Comics and later contributing to the original Sunday strip. In addition to the stories, he produced countless other Flash Gordon images for uses in advertising, merchandising and the fan press.

He gradually retired from the professional ranks in the early years of the new century as one of comics’ most admired and influential creators. Over his career he received numerous professional awards, including multiple Harvey and Eisner Awards and the National Cartoonists Society’s 1967 Award for Best Comic Book Cartoonist.

Beyond his remarkable accomplishments as an artist—the works mentioned above represent only a sampling—Williamson deserves recognition as a veteran who often opened professional doors for many others starting their careers. An impressive number of comics contributors owe at least part of their success to Williamson’s willingness to recommend and promote new artists and writers to his editorial contacts.

Williamson was also an avid collector of comics and illustration art, valuing the beauty of original drawings produced for comic books and strips long before the physical art created by commercial artists was popularly appreciated. He will be fondly remembered by those you knew him for his generosity, his indefatigable sense of humor and his great enthusiasm in sharing his love of comics, illustration, movies and music.

Al Williamson took inspiration from a legion of cartoonists, illustrators and motion pictures from the first half of the twentieth century and created works of timeless appeal—and then he passed that inspiration on to new generations of comics creators.

The family requests that, in lieu of flowers, a donation in Al’s memory be made to either:

The Joe Kubert School
37 Myrtle Avenue
Dover, NJ 07801
Attn: Al Williamson Scholarship Fund

or

Yesteryears Day Program
2801 Wayne Street
Endwell, NY 13760

Al Williamson (1931-2010)

Al Williamson passed away the night of Saturday, June 12, with his wife, Cori and son, Victor by his side. The family will release a statement when they are able. I will post further details shortly.

Here’s to a great man, a brilliant cartoonist and a generous friend! He will be sorely missed.

John

John Fleskes
Flesk Publications

The Latest Scoop from Flesk! William Stout: Hallucinations, Stout Book Signings, Comic-Con International 2010, and More!

William Stout’s fantasy art book collection, Hallucinations, will be arriving in the comic shop and bookstores on or around July 1. Outside of the 50 copies of the hardbound signed deluxe edition I have held back for Flesk direct orders and the San Diego Comic-Con International, the rest of them are already reserved. Between the store orders and pre-orders, this is all I have left. This edition is limited to just 500 copies. I have no doubt they will be sold out by the time the San Diego show is over. You can reserve your copy now to guarantee you get one. Visit our website for details.

If you are in the Los Angeles area, Stout will be signing at the George C. Page Museum (La Brea Tar Pits) on June 19, 2010. He will also appear at the Famous Monsters Convention in Indianapolis from July 9-11, followed by Comic-Con International from July 21-25.

And speaking of Comic-Con International, we’ll be set up again this year. Same spot with two booths and right across from Stuart Ng Books. Mark Schultz will be making signing appearances each day. There will be some other artists making appearances, too. I’ll post the schedule as we near show time. I will have copies of Al Williamson Archives for the show. This will be the debut for the book!

Charley Parker wrote up a nice book review of our James Bama Sketchbook on his Lines and Colors blog. He writes, “Underlying both phases of his career is Bama’s skill as a draftsman, and that aspect of his art is brought out beautifully in a new book from Flesk Publications.” You can read the entire book review by clicking here.

Enjoy,

John Fleskes
Flesk Publications

New Mark Schultz Art For Xenozoic! Plus, The Spirit #2 Now Available from DC!

Mark Schultz Xenozoic Chapter Header Preliminary © 2010 Schultz

Mark Schultz is working on over twenty new spot illustrations for inclusion in our upcoming Xenozoic collection coming fall 2010. (Click here for full details about the book.) Mark recently sent me the preliminary and finished artwork above, which will be used as the chapter header for the story “Another Swarm.”

Mark Schultz Xenozoic Cover
Mark Schultz Xenozoic Cover

At the moment Mark is hand coloring the artwork for the cover to Xenozoic. The cover you see on the website, and shown here, is a digitally colored placeholder done by Randall Dahlk until Mark completes his coloring. I’m particularly excited by Mark’s willingness to use a traditional method of coloring instead of a computer. While I enjoy both computer and traditional art, I have the opinion that there is a certain “feel” that can only be obtained by using traditional tools. I’ll post the finished piece once it is ready.

The Spirit #2 written by Mark Schultz
The Spirit #2 written by Mark Schultz

On another Schultz topic, the new issue of The Spirit is out. You can get this second issue at your local comic book shop. Mark has written the first three issues of this new series.

Enjoy,

John

John Fleskes
Flesk Publications

The Latest Book News At Flesk! A Rundown of Our Nine New Titles This Year!

What’s going on at Flesk? A lot. This is, without a doubt, my busiest year in regards to the amount of books I am publishing (nine titles between spring and fall). I thought I would run through the titles, give an update on each and share some of my thoughts.

Mark Schultz Blue Book was a fun little project. At 16-pages and being a softbound, it is intended as a cool inexpensive item available at the shows where we appear and direct through us by mail. Each copy is signed by Mark Schultz and goes for only ten bucks. The quality and printing is the same as with any of our products and offers those on a tight budget something affordable. 2010 will continue to be tough on many people as they get their feet back under them after a few tough economical years. Most of the books I am publishing this year have affordability in mind—solid volumes, packed with beautiful art, with low price points to get you all more high quality books without having to shell out the big dollars.

The James Bama Sketchbook is here! The book showed up last week and we are processing orders now. All pre-orders and stores should be receiving their copies any day now. The story behind this book is a simple one. I had visited Jim Bama and saw some of his sketches, which I absolutely loved. About a year later when my schedule opened up, I called Jim to ask if I could put together a book of his preliminaries. “Sure,” he said. And that was that. A year later the book is done and available. It can take me up to a year to get a book done based on what is involved and how many projects I am juggling. I get bored easily and prefer having too much to do in lieu of too little. I feel Jim is a living legend and one terrific guy. He has a gift for making anyone feel like family. I am always honored to have an opportunity to work with him. A few people have asked me if there will be a hardcover edition for this book. Not for this one. However, I’m working on a new Bama fine art book that will be published as a hardcover only in 2011. It will feature over 50 of his unpublished fine art paintings from his travels around the world.

On Friday I received my sample copies of William Stout: Hallucinations from the printer. What happens is the printer will send a few copies for me to review and make sure all is as it should be. If the book meets my approval then the bulk shipment is approved and heads for the shipping yard to make its long Pacific journey to the States. I will make the announcement on the Flesk Publications website once they arrive. The book came out exceptionally well. I’m happy with the colors and the wide variety of fantasy themed artwork filling the book. The deluxe signed hardbound edition is limited to 500 copies. At the moment 400 are spoken for. I will have some copies held for the San Diego Comic-Con International in July. I do expect these to sell out over the coming few months, as did the deluxe hardbound for Stout’s last book “Dinosaur Discoveries.” That’s a big hint that if you want this edition, I would recommend acting early.

I sent the book Al Williamson Archives Volume 1 to the printer last Thursday. This book is treat. It is packed with over 100 of Al’s personal unpublished drawings. The book is printed in color at 64-pages at 9” x 12” in a softbound format. I decide to bump up the dimensions so it would fit nicely alongside our previous Williamson book, Al Williamson’s Flash Gordon: A Lifelong Vision of the Heroic. A few people have asked about whether or not a hardcover edition will be available for this book. Nope, there is no hardcover. The themes for the first four volumes are already planned out, and the second volume is about eighty-percent designed. We all hope this becomes another successful yearly collection like the Mark Schultz’s Various Drawings series.

At the moment I am working on Petar Meseldžija’s The Legend of Steel Bashaw. It brings me great pleasure to publish Petar’s work in the English language for the first time. If you haven’t read his interview yet, you can click here to learn more about the book and how I came to meet Petar.

Another title which is almost ready for the printer is Walt Reed’s Harvey Dunn: Illustrator and Painter of the Pioneer West. This is one of those books that is a dream project for me to publish. Besides Walt being one of my earliest influences and someone I look up to, Harvey Dunn is one of the legends of the illustration field long deserving a lavish book collection of his work. The final tweaks are being made now. Pending Walt’s final approval, I expect the book to be off to the printer soon.

I am also working on putting together Jim Silke’s Jungle Girls. Mr. Silke has already provided me with a very thorough book map and all the material I need. It’s just a matter of finishing putting it all together and getting it into all of your hands.

Right after I am done with Jungle Girls, I will work on wrapping up Mark Schultz’s Xenozoic collection.

Then there’s William Stout: Inspirations coming in late fall. Yes, I enjoy being busy! Especially when having the opportunity to work with all of these talented gentlemen.

John

John Fleskes
Flesk Publications