Ballpoint Beauties by Frank Cho! Kickstarter Campaign Ends on Thursday, November 15th!

Frank Cho and I have partnered again to create his latest art book Ballpoint Beauties! This book is available as an affordable paperback and hardcover, and as a premium signed deluxe edition. Luxurious signed prints are also available. Enjoy the samples and details below.

We have a Kickstarter campaign running where you can pre-order the book. Everyone who makes a book or print pledge will receive an exclusive free postcard set.

You can see the full details by following this link:

The campaign ends on Thursday, November 15th at 8:00pm PST.

Ballpoint Beauties is 120 pages at 9 x 12 inches and includes two gatefolds. This book has been Frank Cho’s most requested collection on social media over the past year. He has been making his personal ballpoint pen drawings purely for himself for over two decades. This is the first time that these rarely seen works have been captured into a dedicated volume. Compiled here are his favorites, many which are done recently specially for this book. Many pieces are shown in four stages that are accompanied by Frank’s commentary to reveal his process. He is completely self-taught which makes for a unique and educational experience.

Included within the book are visual guides for anatomy and body parts, plus a short interview where Frank discusses his working methods and answers the most common questions that he receives online. Also shown are comic covers for his creator owned property Skybourne, where he has incorporated ballpoint pen in a mixed media format to show you how to incorporate the ballpoint pen into commercial assignments.

Thanks to everyone who has supported this book!



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Text copyright © 2018 John Fleskes. Photos and videos © 2018 John Fleskes / Flesk Publications. Artwork © 2018 its respective artists. All Rights reserved.

Spectrum 25 Judging Event Videos and Interviews

The Spectrum 25 judging event was held on February 24, 2018 at the Flesk Publications offices in Santa Cruz, CA. We were joined by the exceptional industry talents consisting of Terry Dodson, Tyler Jacobson, Tran Nguyen, Karla Ortiz and Chuck Pyle who spent the full day reviewing the Spectrum Call for Entries submissions. The group got along exceptional well as they made their anonymous votes followed by the group discussion to select the nominations for special recognition.

I had the pleasure of interviewing four of the judges. I hope you enjoy them along with a video highlight from the day.



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Text copyright © 2018 John Fleskes. Photos and videos © 2018 John Fleskes / Flesk Publications. Artwork © 2018 its respective artists. All Rights reserved.

The Spectrum 26 Call for Entries is Open!

Spectrum 26 Call for Entries is Now Open!

This is an invitation to all professional and student artists, art directors, publishers and artists’ representatives to submit entries to the 26th Annual Spectrum International Competition for Fantastic Art. All artworks in all media embracing the themes of science fiction, fantasy, horror and the surreal are eligible. Fantastic art can be subtle or obvious, traditional or off-the-wall, painted, sculpted, done digitally or photographed: There is no unacceptable way to create art, and there are no set rules that say one piece qualifies while another does not. Imagination and skill are what matters. Work chosen by the jury will be printed in full color in the Spectrum annual, the peer-selected “best of the year” collection for the fantastic arts. Click here to submit.

The Spectrum 26 Call for Entries Poster was created by the renowned artist, Tyler Jacobson.

To join our mailing list to receive your complimentary poster, please click here.

The Spectrum 26 jury is comprised of a five member panel of some of the most exceptional artists working in the industry today consisting of Kei Acedera, Wesley Burt, Bobby Chiu, Edward Kinsella III, and Colin and Kristine Poole. Find out more about the Spectrum 26 jury here

“It is an honor to assemble such a prestigious group of artists for the Spectrum 26 jury,” shares John Fleskes. “I greatly admire the art that these six individuals have created during their careers. I also have a high regard for the educational opportunities that they have provided to others while giving back to the community. I look forward to bringing them together to view the call for entries submissions in February 2019.”

For over twenty-five years the Spectrum annual has been a showcase for the best and brightest creators of fantastic art from around the globe: it serves as an invaluable resource book for art directors, art buyers, publishers and agents world-wide. Our purpose and singular agenda is the promotion of the art and artists. We believe that Spectrum functions as a cost-efficient promotional forum and provides a bridge between creator, client, and aficionado as well. Spectrum is all about facilitating opportunities for creators, about growing the audience for imaginative work in all its forms, without pretension and without prejudice.

Thanks to everyone for your continued support of Spectrum! Please let us know if you have any questions.

For more information on Spectrum please visit

John and Kathy

Spectrum 25 Awards Ceremony Stories and Pictures

Arnie Fenner, John Fleskes, and Kathy Chu backstage while preparing for the Spectrum Awards Ceremony.

Hi everyone!

We have a special treat. This is written by Kathy and John and shares stories and pictures from the Spectrum 25 awards ceremony. The pictures are at the end of the post for those who may not want to read the whole thing.

The Spectrum 25 awards ceremony was held at the historic Brookledge Theater in Los Angeles, California on Saturday, May 5th. This special venue, owned by LA’s legendary private club for professional magicians, The Magic Castle, made this ceremony exceptionally unique  for Spectrum’s 25th anniversary.

Since we were not hosting Spectrum Fantastic Art Live this year in Kansas City, we took this as an opportunity to hold the awards ceremony in Southern California for the first time. Since it was the 25th anniversary of Spectrum Fantastic Art, we wanted it to be something special. With the help of Bob Self, we were able to get in contact with Erika Larson, who manages and takes care of the Brookledge theatre. Because this venue was so exclusive and was an invite only theatre, we met with Erika several months in advance to see if we could hold our ceremony there. After spending some time taking a tour of the space we instantly fell in love with it. After sharing more about Spectrum and the importance of its community, Erika was gracious in her willingness to let us use the theatre for our ceremony. We are so grateful she did, as it made this year’s ceremony an event to remember.

Every year, the ceremony takes an extensive amount of time to plan, and this year was no different. We normally start planning about a month in advance. The first thing we work on is finding an artist be a speaker for each category. We try to find artists from each specific category because we ask them to do a small introduction that relates to the topic before announcing the award recipient. Some people are excited to have an opportunity to speak and be a part of the ceremony, others who may have no or limited public speaking experience bravely take on the responsibility. We make ourselves available to bounce ideas off of and to help mold their speech when asked. We were lucky this year and found a wide variety of speakers, even pulling in a few shy artists who opened up and did wonderfully once on stage.

During the time we look for speakers, we also start contacting all the award nominees to see who would be available to join us for the evening. We also sent out a newsletter and put out posts on our social media accounts letting people know to contact us if they wanted to attend the event. Because of the intimacy of this year’s venue we wanted to make sure nominees, presenters and those who were included in Spectrum 25 could be there. Due to limited seating, we had to create a wait list for everyone else who reached out. We were grateful to squeeze in all of the nominees, presenters and their guests.

The next thing we did, was reach out to see if we could find people in the L.A. area who could help us run the projector and help take pictures at the event. We were lucky and found a San Jose State University alumni, Justin Vu, and professional photographer, Mark Berry, to work the event.

The next step was making sure we had everything we needed for the ceremony. That included creating the background graphics and videos for the ceremony. We also had to make all the award name cards (including the phonetic spelling for each award recipient) and all the envelopes. These are all made specially for each year’s ceremony. We also created a special 25th anniversary award ceremony print to hand out to guests. We also wanted to make sure we brought our Spectrum office copies to get them signed by the artists who were in the books. We keep one copy of each book (Spectrum 21-24) for display in our office, we take these to all the Spectrum events we attend to have them signed by the artists who attend. Since we were driving down to L.A. from Santa Cruz, we also decided to load up John’s truck with previous Spectrum books to hand out to the guests as well. Everyone who attended received a free copy of Spectrum as a special gift.

We drove down a day before the event so we could start setting up and have enough time to be ready for the ceremony. On the way, we picked up snacks and refreshments for the ceremony. We arrived in L.A. midday on Friday and picked up the awards from William Stouts house. We had them shipped there as it was easier and safer than shipping them to Santa Cruz and driving them down. We then drove straight to the theatre to start prepping for the ceremony itself. We were able to drop everything off for the show and get the awards set up.

The day of the ceremony was definitely a hectic one. Due to some technical difficulties, we were unable to use the projector provided by the theatre and ended up needing to find something to show all the background art and graphics needed for the ceremony. With the help of John’s smartphone, we were able to narrow down some options and were in and out of Best Buy within 15 minutes with a brand new large screen TV. Because of the different format, we had to figure out how to project the background videos we had created without showing any of the extra video details and be able to time all the videos to each speaker and award winner. Lucky for us, Justin Vu showed up right on time and was able to help us get the computer and TV set up properly. Colin and Kristine Poole were also miracle workers and showed up early to help us set up the snack and refreshment table. We also had all the presenters arrive a little early so they could do a run through and practice their introductions.

After a quick change out of our street clothes and into our formal outfits, finally, we were ready.

The doors opened at 6:30pm and the guests started to arrive. Because of all our pre-planning the ceremony ran smoothly. We are so grateful to everyone who helped us run the event because without them, we would not have had such a successful evening. All the guests were happy and everyone had a wonderful time. For us, this is what makes the months of pre-planning worth it. To be able to create a gathering where the Spectrum community can get together and celebrate is not only meaningful, it helps to encourage others. All the award recipients had an emotional response and made sincere and expressive acceptance speeches. Everyone who attended left with a want to do more to create and inspire others to do the same. This is why Spectrum exists and why we find the awards ceremony to be so important to have and to share.

Below are pictures from the event, thank you to everyone who joined us for the evening and we hope to see everyone at next year’s event!

The Spectrum 25 Awards set out before the ceremony

From left to right: John Fleskes (Spectrum director), Kathy Chu (Flesk VP), and master of ceremonies for the evening, Bob Self (publisher of Baby Tattoo Books.)

Spectrum regular and one of the nicest guys you can meet at a party, Luc Desmarchelier.

John and Kathy talking with Te Hu prior to the ceremony starting. Te ran over his opening talk with us before the show began.

Our magician guest who performed during the event talking with William Stout (left).

Bob Self, Joel Beren and Olivia De Berardinis graced us with their appearance.

Bob Self, Master of Ceremonies, energetically welcoming the guests.

Colin and Kristine Poole, both involved with Spectrum for many years, introducing the Rising Star Award, which they created and announce each year to highlight an outstanding newcomer to the field.

Miranda Meeks graciously accepting the Rising Star Award. She had arrived earlier that day after flying in from Utah. Until an hour before the show we were unsure if she would make it, and we were thrilled when she arrived.

Te Hu, introducing the Advertising Category. This was his first time on the Spectrum stage and he was energetic and charmed everyone.

Laurel Blechman surprised and happily accepting accepting the Advertising Silver Award. Laurel gave an emotional acceptance speech while dedicating the award to Glen Orbik.

Tim O’Brien, the president of the Society of Illustrators, introducing the Book Category.

Victo Ngai, most nominated in a single year and one of the best of her generation, accepting the Gold Award for the Book category.

William Stout, introducing the significance of the Comic category and how much it has changed throughout the years.

Craig Elliott gave a memorable introduction to the Concept Art category.

Anthony Francisco, Marvel Studios senior visual development artist passionately accepting the Silver Award for the Concept Art category.

Wangjie Li was very honored to accept the Gold Award for the Concept Art category.

Arnie Fenner presenting the Memorial to honor artists who passed away in 2017.

Brynn Metheney, who has been in Spectrum many times and has attended many past Spectrum events, introducing the Dimensional category.

Jessica Dalva, gracefully accepting the Silver Award for the Dimensional category.

Paul Sullivan, introducing the Editorial category with an extremely well-researched and educational talk.

Tim O’Brien, who was very surprised, accepting the Silver Award in the Editorial category.

Edward Kinsella III gave a heartfelt speech when receiving the Gold Award in the Editorial category.

Karla Ortiz excitedly introducing the Institutional Category shared a story of her experience while being on the Spectrum 25 jury.

Alina Chau, introducing the Unpublished category and the opportunity it presents to artists who challenge themselves to work outside of conventional projects when submitting to Spectrum.

Michael MacRae, who was stunned to find out he won an award, receiving the Silver Award in the Unpublished category

Andrew Hem, gave a moving acceptance speech for the Gold Award for the Unpublished category.

Iain McCaig, exuberantly introducing Claire Wendling as the Spectrum 2018 Grand Master and how she influences others.

John Fleskes making his closing remarks for the ceremony, thanking everyone who was involved and congratulating the award recipients.

A group picture of all the attending award winners.

A group picture during he after party with many of the presenters, award winners and nominees.

View from the stage during the Spectrum Awards Ceremony.

Enjoying the after party that went into the late hours of the evening.

Karla Ortiz and Iain McCaig have are contagious with their enthusiasm wherever they go.

Tooba Rezaei, Craig Elliott, Colin and Kristine Poole.

Wangjie Le and Anthony Francesco and guests during the after party.

Thank you all for reading. We look forward to next year’s awards ceremony!

All our best,

Kathy and John

Text and photos © 2018 John Fleskes. Photos by Mark Berry. Videos © 2018 Flesk Publications. Artwork © 2018 its respective artists. All Rights reserved.

The Spectrum 26 Call for Entries opens on October 15th!


The Spectrum 26 Call for Entries opens on October 15th! Join our mailing list to receive a poster.

Over the next two weeks we will be sharing Spectrum news daily on our Facebook and Instagram accounts. We will reveal who the Spectrum 26 jury is and the artist who made the latest call for entries poster. We will share videos that include a Spectrum 25 book flip through and interviews with the jury. The Spectrum 25 artist copies will arrive at our warehouse in the middle of October. More news will be coming about Spectrum Fantastic Art Live and the Spectrum 26 award ceremony that is happening next spring.

There are a few ways to stay updated. You can follow us on social media and join our email newsletter. Additionally, you can provide us with your mailing address and we will mail you a complimentary Spectrum Call for Entries poster (U.S. addresses only). If you are already on our list, but have moved, you can use this link to provide us with your most current address.
Here’s the link to sign up:

We look forward to Spectrum 25 hitting the stores this fall. We hope you will enjoy it!

Thank you all for your support of Spectrum and Flesk!

All our best,

John and Kathy

Text and photos copyright © 2018 John Fleskes. Videos © 2018 Flesk Publications. Artwork © 2018 its respective artists. All Rights reserved.

New Frank Cho Ballpoint Beauties Book and Baltimore Comic Con

Frank Cho working on the cover art for Ballpoint Beauties.

I’m back in the office after a productive week spent in Baltimore, Maryland. I was on the east coast for two reasons; I was there to exhibit at Baltimore Comic-Con and to meet with Frank Cho to go over his next two books that I will be publishing.

(Apologies for these poor quality photos. I only had my phone with me on this trip.)

Detail from Frank Cho’s original art from his Savage Wolverine run.

I arrived on Wednesday evening (September 26th) at Frank Cho’s house when we immediately began working on his books. The first book is his Ballpoint Beauties title that collects his ballpoint drawings. We’re including step-by-step sections and he is writing some text for the book so that people can see how he works. The second book on Cho will be announced next year sometime. Frank is such a busy guy who is oftentimes stretched in multiple directions. Because of this I typically prefer to keep our projects together quiet until they are about 80% completed to make sure I am not introducing any stress into Frank’s schedule. At the moment, our full focus is on Ballpoint Beauties. However, I did get a large chunk of work done on the unannounced book during my visits to Frank’s house. I spent hours pouring through his originals and scanning material.


We will launch a Kickstarter campaign for his Ballpoint Beauties book on Tuesday, October 16th.

The Flesk booth at Baltimore Comic Con an hour before opening on the first day.

The Baltimore Comic Con was terrific this year. It generally is every year, but this one was especially successful. Richard and Wendy Pini had a booth directly across from us. Frank Cho was next to us and Mark Schultz was with us. Arthur Adams and Joyce Chin were just a few aisles away. Having all these artists present who I work with fueled the interest in their books. As a result, we sold almost all the books that we brought to the show.


Since this was only the second show where I exhibited this year, and the first where I sat behind the booth and worked, I found that it took me a full day to find my voice. I didn’t realize how out of practice I was when it comes to talking to different people all throughout the day. On Saturday we were totally slammed with people stopping by, and by Sunday I finally got into a pretty good groove when chatting with people who stopped by.

Richard and Wendy Pini’s booth directly across from ours.

Each day I enjoyed interacting with Richard and Wendy. Having dinners with various artists and con friends was also nice. I had lost my voice by Saturday evening and hardly spoke during dinner, but found it again for Sunday morning, fortunately.

Mark Schultz signing a copy of his Portfolio book.

I managed to walk the floor on Sunday. Baltimore Comic Con is a great show for me, primarily because the show organizers and volunteers treat us well, plus the attendees are well informed and sophisticated collectors who know their artists and writers. Additionally, they bring in legendary artists as guests who are a joy to meet. It’s truly a “comic” show and not one of those events that appropriates the name for alternative pop culture purposes.

Mark Schultz doing a Batman sketch for a young fan.

I was amazed at how many people stopped by who knew who we were and who visited simply to express how much they enjoy our books. I also appreciated the feedback about how much people like our Kickstarter campaigns. I had several people comment on how our cover prices are affordable. This is intentional on my part since I didn’t grow up with money and I’m sensitive to keeping the books as affordable as possible for the students and for the working man and woman.

Our Flesk booth an hour before closing on the last day of Baltimore Comic Con. We sold most of the books that we brought!

It was a productive week. I’m back to working on books and I look forward to continuing to bring you more titles for as long as you will support us. Thanks, as always.


Text and photos copyright © 2018 John Fleskes. Videos © 2018 Flesk Publications. Artwork © 2018 its respective artists. All Rights reserved.

Ambedo: The Art of Tran Nguyen. New Book from Flesk Coming in 2019

I’m excited to share the news that I am working with Tran Nguyen on her first art book. This collection will contain her gallery work along with Tran’s book and editorial illustrations. Much of her decade-long career will be captured in this oversized hardcover.

I first learned about Tran’s work when she submitted her entries to Spectrum 21. Her paintings made an immediate impression on me. I noted how the Spectrum judges had the same reaction, especially when you note the amount of Spectrum nominations and awards she has received.

Later, when I first met Tran I was impressed during her acceptance speech during the Spectrum 21 Awards ceremony when receiving her gold award in the Editorial category. She spoke of her gratitude toward her parents and provided insight into the struggle that her family faced when coming to the U.S. from Vietnam. It was a touching acceptance speech that in just a few minutes showed how humble she is while also revealing the aesthetics behind her art. Arnie and Cathy Fenner and I felt that it was the most heartfelt speech of the evening.

Since then I continued to watch her growth. I’m amazed by her recent “The Flooded Hour II” series of paintings. I had the pleasure of getting to know Tran better during her visit to the Flesk offices during the Spectrum 25 judging event. Shortly afterward I inquired with Tran about the possibility of working with her to capture her career in a new book. I’m thrilled that she was interested and delighted to be able to publish and share her works in 2019. The release date will be announced in the coming months.

You can learn more about Tran at her website here:


Text and photos copyright © 2018 John Fleskes. Videos © 2018 Flesk Publications. Artwork © 2018 its respective artists. All Rights reserved.

The Thousand Demon Tree by Jeffrey Alan Love. New Book from Flesk!

The Thousand Demon Tree by Jeffrey Alan Love is now available! I’m especially proud to have the opportunity to publish Jeff’s second book. Jeff is doing things with art and story that no one else is doing. I feel he is one of those true original creators—someone who can share a narrative in a way unseen before. What is striking about his story is how well it is told without the use of words. The Thousand Demon Tree is strong and bold with a lesson in design that any student can learn from.

Jeff and I have a simple method of working with one another. I leave him alone to do his art and story. He leaves me alone to package the book and handle the marketing and promotion, while getting the book out there into the world. At the same time we communicate often to keep each other updated and to offer our support to one another. Our process comes from a mutual trust in our respective abilities along with an admiration for what our respective strengths are. It’s easy. It’s the same while working with Mark Schultz, Gary Gianni, J.A.W. Cooper and the others who I have a long-term relationship with. I like easy. I like a natural flow of going back and forth without any issues or miscommunications distracting us from the work. I appreciate working with Jeff.

Are we already planning another project together? Yes. I’ll announce it in the spring or summer of 2019.

Thanks again everyone. Both Jeff and I are grateful to you all for supporting his books.

Here’s the link to learn more about the book and to order.


Text and photos copyright © 2018 John Fleskes. Videos © 2018 Flesk Publications. Artwork © 2018 its respective artists. All Rights reserved.

Carbon 3 by Mark Schultz. New Book from Flesk!

I’ve been working regularly with Mark Schultz since 2004. His first book that I published was Various Drawings Volume One in 2005. This book was the fourth that I published and the first on a living artist. Since then we have kept in contact weekly and managed to put out quite a library on Mark’s work. There has been Various Drawings Volume 1-5, Blue Book, Storms at Sea, Xenozoic, and the Carbon series. This month we are releasing Carbon 3. Somehow, we’ve managed to publish eleven books in the last 13 years. I’m not quite sure how we’ve done it. Especially considering how slow Mark works.

Each collection of Various Drawings and Carbon has collected the previous year and a half to two years’ worth of art that Mark has made for private commissions and illustration assignments. This latest volume of Carbon follows the same trend. Carbon 3 has a forward by Mark where he touches upon his preparatory stages of creating the new Xenozoic story. Inside you will find several personal works of Jack and Hannah, the main characters from Xenozoic, along with other noteworthy pieces.

It’s always a pleasure to work with Mark. It’s no secret that he’s a great guy. We bounce ideas back and forth and quickly ease into a design, theme or layout with each book. There is nothing difficult about the process. We typically talk on the phone for 2-3 hour sessions while working. It never seems like work, and I’m always surprised at how quickly the book comes together. I suppose we have been working together for so long that I intuitively know what Mark likes, yet I also appreciate that he lets me experiment. We usually end up doing something that neither of us thought of alone. And we’re pretty darn happy with the outcome.

I felt the cover painting came out especially well. Mark put a lot of effort into trying a new approach. It’s a method that he will be revisiting at some point in the future.

The hardcover signed edition is already sold out. But, the Carbon 3 paperback is here and in stock for immediate shipping.

Here’s the link to learn more about the book and to order.


Text and photos copyright © 2018 John Fleskes. Videos © 2018 Flesk Publications. Artwork © 2018 its respective artists. All Rights reserved.

Book Update: The Thousand Demon Tree by Jeffrey Alan Love

Hi all,

Look what arrived today! Our printer sample copies of The Thousand Demon Tree by Jeffrey Alan Love. The version with the red spine is the signed edition that is already sold out. The regular hardcover edition can be pre-ordered on our Flesk website. The books are slated to arrive at our Flesk warehouse on August 25th. We’ll start shipping the Kickstarter pledges and pre-orders at that time.

Learn more or pre-order online here: